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 Entertainment | April 2006 
Netflix Hopes Customers will Fall for "Cowboy"
 Gina Keating - Reuters
| | Reed Hastings, CEO of Netflix Inc., a online DVD-rental service, holds several DVD's as he poses at the Netflix offices in Beverly Hills, California in this December 8, 2005 file photo. Netflix Inc. hopes its subscribers will fall in love this week with "Cowboy del Amor," and many other unsung movies it is quietly buying at film festivals to release in arthouse theaters, it was reported April 2, 2006. (Reuters/Fred Prouser) |
Online DVD renter Netflix Inc. hopes its subscribers will fall in love this week with "Cowboy del Amor," and many other unsung movies it is quietly buying at film festivals to release in arthouse theaters.
Netflix will begin offering its customers the low-budget, independent "Cowboy" film as the first title it has backed with a theatrical release under a strategy to be the only place cinephiles can rent some small, critically praised works.
Typically, DVD rentals get a boost from the publicity films receive in theatrical release. That is especially true for low-budget and art-house films like "Cowboy," which was released at theaters in a handful of cities for a few days in February .
Netflix's publicity department made sure "Cowboy" -- a documentary by award-winning filmmaker Michele Ohayon about an ex-rodeo cowboy who runs what he calls a "woman bidness" to introduce lonely American men to marriage-minded Mexican women -- got noticed by reviewers.
For the next month, "Cowboy" will be available only at Netflix.
"I was married to an American woman for 17-1/2 years. She spoke perfect English and I never could understand her," begins the film's folksy narration, by "Cowboy Cupid" Ivan Thompson, who Netflix sent out on a media tour, including a visit to Howard Stern's radio show set for Monday.
Lonely and unable to find an American wife, Thompson ran an ad in a Mexican newspaper more than 16 years ago and said he was astounded to receive replies from more than 80 women, including one from the gal he married, then divorced -- twice.
"I said to myself, 'Self, this will make a good bidness,' and so I started doing it for the public," Thompson explained.
The film, shot over three years in Mexico, New Mexico and Texas, traces the varying successes of three of Thompson's customers in finding cross-border love.
"To present a woman good, I have to be enthused about 'em and like 'em, so it's a whole lot like the horse bidness," Thompson muses toward the end of "Cowboy."
'DATA-DRIVEN HUNCHES'
Data collected on Netflix's 4.2 million subscribers' movie tastes help the company find an audience for hidden gems like "Cowboy," Netflix Chief Content Officer Ted Sarandos said.
"We do fill a unique niche around small-market films," Sarandos said.
Netflix often recommends little-known films to subscribers based on ratings customers give to earlier movies they have rented. Netflix's practice has built a level of trust among subscribers who believe the company is recommending a movie they will like.
The company, which pioneered online DVD rental, began dabbling in distributing small films in 2004 with DVD releases of films such as "Born Into Brothels", a documentary on the children of prostitutes in Calcutta, which later won an Academy Award for best documentary.
From "Brothel," Netflix learned "the importance of making the film an event for a particular audience but not trying to make one film for everybody," Sarandos said. "Being able to identify what niche wants a particular film and marketing that film (to them) ... is really valuable."
Sarandos said he and his staff plan to secure rights to 100 more titles per year based on what he called "data-driven hunches."
Sarandos saw "Cowboy Del Amor" at the South by Southwest film festival in Austin, Texas, and realized it was made by Ohayon, whose previous two films, "The First Year" and "It Was A Wonderful Life," were distributed exclusively by Netflix.
"As far as I'm concerned everything I have done with Netflix has been successful," Ohayon said. "I know that every film has a long shelf life if you handle it right. There was complete respect for the filmmaking behind it, which is a filmmaker's dream." |
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