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Puerto Vallarta News NetworkVallarta Living | Art Talk 

Cuban Surrealist Lam Tops Latin American Art Sale
email this pageprint this pageemail usWalker Simon - Reuters
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May 29, 2010



Wifredo Lam
A painting blending surrealism and a Cuban form of voodoo was the top selling work at Sotheby's Latin American art sale, setting an auction record for artist Wifredo Lam.

"Sur Les Traces (Transformation)" fetched $1.42 million but the Thursday night sale, which totaled $12.2 million, fell below the $13.8 million minimum pre-sale estimate. It also failed to match Sotheby's $14.6 million Latin American auction last fall.

Auction officials downplayed the lackluster showing and highlighted the genres drawing top dollar bids.

"The big trend that I saw was that the surrealist works did very well, the other one was abstract art," said Sotheby's Latin American art chief Carmen Melian.

Lam painted "Sur Les Traces" after he returned to Cuba from Paris, where he belonged to the surrealist group led by Andre Breton.

"This work combines European elements of surrealism and of santeria," said Melian.

Like Haiti's voodoo, santeria mixes Roman Catholicism and West African religious traditions. Lam's grandmother was a santeria priestess, she added.

Horsetails, horns and flames evoke santeria in a dreamlike setting where fluid black strokes trace silhouettes of human extremities like eyes and fingers.

At $722,500, the second-best seller was "The Ordeal of Orwain," by Mexican surrealist Leonora Carrington. The 1959 painting portrays a Druid-like sacrifice of a legendary Welsh noble; a priestess with a cat-like face stirs a caldron.

A 1951 untitled work by Chilean surrealist Matta was another top seller at $692,500.

Mexican Diego Rivera's "Portrait of Gladys March" went to a North American private collector for $662,500. March was an American journalist who spent six months interviewing Rivera and the ghost writer of his autobiography.

The sale lot includes her notes and manuscript, which Melian called "a scholar's paradise," running to hundreds of pages packed in four boxes.

It also included a Rivera letter in which he describes March as a mischievous girl who grew to be a "pretty young woman."

Rivera's 1953 "Tejedora y los Ninos", or "Weaver and Children," valued at up to $1.3 million, failed to sell. For more than half a century it was only known to scholars via a grainy black and white photograph before resurfacing for sale.

Mexican cultural laws barred the work being taken abroad.

"That strongly affected the price because it really narrowed down the public (for it) ," said Melian.

The Sotheby's sale followed Christie's two-day Latin American auction, which sold $20.5 million and set 12 artist auction records. It sale ranked as its best auction in two years.

Christie's top-seller was the palm-sized 1938 painting "Survivor" painted by Frida Kahlo, Rivera's wife. It fetched $1.2 million.

Framed as a religious votive offering, it symbolizes her gratitude for surviving a suicide attempt and features a pre-Hispanic idol, according to Christie's. Kahlo had separated from Rivera after discovering his affair with her sister.



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